Its a work in progress until you let it go

Behind the Counter: Stories of a Tall Short Order Cook

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Sketches

Got some film back. There are ideas kicking around and sequences that need starting.

Point & Shoot — literally.

When I was in London staying with Tom I played with his Contax T2 and really fell in love with it. It’s so light, but has such good control with it’s manual functions. I really love the beauty of film but I do not like the weight of cameras anymore. I didn’t care in school, to schlep around a Hasselblad or Mamiya but now I’ve found the last thing I want to do is use carry shit in the city. And I love that fucking thing, but I used it the other day and was just like “Really?” It’s so not practical for New York, and no one wants to pay for my 120 scans (Flextight, I Miss you.) I received a really late (but completely amazing) christmas gift from Tom, and there it was, my own Contax sitting at my desk.- with my name engraved (dudes take NOTES). I finally got a bunch of film back from it and I’m so hooked. Despite it looking very Terry/Nocito/everyfuckingoneelse with flash, it does tremendously well in daylight and almost looks like my 120. I try not to use the flash so much to avoid that played out, but oh-so-good aesthetic — however I had to use it at our Best New Designers of America party.
GQ announces 6 finalists every year that compete as a best new designer — some of these guys I had photographed for the web, so it was really great to see their clothes in person (and worn by incredibly hot guys.) Now, I’m no fashionista, let alone know shit about men’s clothes, but luckily, because of my job, I’ve been exposed to really different things and I appreciate that. Patrik Ervell, who I shot a couple weeks ago, was one of my favorites, but Alexander Wang won. The party was surreal — I took Kanye’s picture and he looked less then thrilled (so dope), had Aziz Ansari tell me to “shoot digital boo” and saw a lot of drunk colleagues, which is always my favorite part. I came a couple hours prior to the show to photograph the models in their before stage and shot during the presentation. Some photos can be seen here on our (NEW!) GQeye.tumblr but here are the rest. Goddamn I love this camera. When I get film back, I get that feeling Like, the happy I fucking… love this shit –… feeling. I’d love to take more on, but I just don’t have the time. I really value learning the opposite end at work, the photo editor/assistant role is a little strange sometimes. I’m not sure if it’s good or bad, but I tend to empathize with the photographers and sometimes I just want to “reveal” my photographer identity but I’m like calm down… the time will come. Yes, I’m a little discouraged I can’t say “photographer” (yet) when people ask me what I do, but I’m learning that it’s perfectly fine to take on other roles until I get there.

once a month sometimes on a tuesday

This is an edit of old and new work focusing on nature, in it’s “pure” form, as well as representations within our visual culture, as a subject. In a way I’m defining what is/is not natural, but I want this project to be more of an inquisition rather than a proclamation. So, before I word vomit all up in this, I’d rather get some fresh opinions/perceptions rather than explain my intentions (which, in true art student fashion, aren’t clear yet.)


I don’t know where to start.

These pictures are from whatever I’ve been doing in the last month.
I shot the band The Duke Spirit two weeks ago, went really well. The chick Leila was very sweet, and god knows I love british people (I have Peep Show on loop at my house.)
I’m still on the grind here in Times Square everyday however my role has certainly changed and hiring someone to be the photo assistant has alleviated my work load. It’s not that I necessarily wanted to do less work — I just really wanted to contribute in a real way which was impossible with how busy I was before.
About a month and a half ago I began shooting for our website which I’m extremely happy about. I’m actually able to contribute and interact with different departments a couple days a week while maintaining my loyalty to the photo department when they need assistance.
We have on our website, a style feature called “10 Essentials” which is a dialogue that takes place between the person and the writer on ten items they can’t live without (Yes, essential.)
I was approached with including a portrait to the feature, or instead of having stock images of the items, I would shoot that. I want to say like a mini Selby, but not really. The Selby is a real house tour, an actual profile on that person. This is meant to be more literal — as there already was a structure to the feature.
So far I’ve met some really amazing people, I went to Michael Bruno’s office, kicked it with Waris, died when I saw all the amazing fur (Yeah sorry) that was at J. Mendel’s space and met Alexander Wang last week for like 3 minutes (Still incredible). It’s really exciting to be able to access these type of people because I work at a men’s fashion magazine (I’ve never even see Zoolander) so it’s refreshing in comparison to what I’m used to.

The latest one I did can be seen here, for Gilles Mendel.

Winter Sun

The other week I realized I had become a victim of cold weather, short days, and long work weeks. My photographic work had slowed to a pace I’m not comfortable with. Not having new images to work on is not something that sits well with me for very long so I decided to get out and make some new pictures. After my Grandfather passed I decided to take a break from my work at my grandparents trailer. So I just took a day to wander and photograph. This is what I came up with.

Newish

New work from Levittown PA, the second planned suburban community conceived by Levitt and sons in the 1950s, I’ve yet to make a cohesive edit of this work. I’m thinking about mazes, fences, and families.

And a new one from the Erie Canal which I’m still working on and planning to finish in the Spring

So he heads back to the Ocean

Here’s a few pictures from my drive back from Rochester and then, some from a drive up to Purgatory Chasm with my friend Nick.

I really enjoy rest stops.

Somewhere, PA

Not everywhere in New Jersey looks like Newark.

Nature’s pretty sweet too, you know.

Purgatory Chasm

Purgatory Chasm

Purgatory Chasm

Purgatory Chasm

Oh and I work for Hasselblad now! Good things!