Mr. Fuchs, slight return.

Biographical update:

Got back from roadtrip, developed film, scanned film, still editing / working on project.

Snow started falling Jake and I started to take advantage of snow with the snow sports.  I started to shoot the sequel to Colonized Waterways, and then I broke my knee.

5 months and 6 sheets of 4×5 later I was back on my feet (actually foot) in P.T. and am now back on the road.  I’ve spent the last two weeks in a combo of DC and NYC and next week head off to the (northern part) of the south.  I will be spending the next two months living with Sarah on the road.  So I was planning on showing allot of things.  Then I realized that most of those projects were one off’s.  Essays in the grand photojournalist tradition.  Here is a list of everything new for you to look at.  I’m not going to waste time and look for comments on whats done.

(In chronological order)

Capitol Thoughts

Tax Payer March On Washington

Sister(ongoing)

Grandparents

Restoring Honor

As you can see I have a shit ton of eggs in differing baskets.  I have this “family” project, which is unyieldingly straight forward.  A political “project” which I have been starting to get seriously interested in with thoughts of shooting actual government, and also photographing more extremist political things.  There is also the twice westward project which I will be shooting for during these two months with Sarah, also our underwear work will be getting done.  And then when I’m home I will get back to shooting the river.  Which I may post soon?  I will probably wait till I’m back in Oregon and actively working on it.

so guess what?  I guess I’m a photojournalist.  Being that all I do is essays.  Meh “Art” needs institutional designation for definition so I guess I would rather be a rogue journalist with no ethics?

anyway no more talk.  Here are the “good” pictures I took with a view camera and a broken knee.  What’s that?  Oh yeah I’m a hardcore mother fucker.

Father arrives home with new plants.

Mother does the annual washing of the outdoor art.

Dogs thinking that someone has come home early.

Dogs sleeping on my laundry.

Dog snot on the carpet.

Batteries from PS3 controller rolled off table in the afternoon.

So yeah.  A couple things you will notice / not see.  I’m not going to post anything finished on here anymore.  Everything will be crude.  You want finished go look at my website.

I am super unsure about these pictures.  This stuff is way out of my comfort zone.  They are exceedingly quiet and autobiographical.  I’m not much one for diaries (although I constantly photograph my dogs).

Speaking of which I wish my dog pictures were as good as Tony Mendoza’s.

GO!

Picturing Myself as a Tourist

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So upon certain requests and thoughts about the last post I have tried to internalize the comments and try a couple of directions.  Sadly no underpants, for a few reasons.  First almost got arrested.  Well that is mostly it.  I do not want to get banned from places that I would like to go back to.  So as a few of you know I have been on the road three months or so on my way back west.  I have continued to shoot for twice westward but with film ( I have a trash bag full of it in my car) so there is nothing form that part.  I have been making more self portraits as a tourist while making my more “critical” (?) photographs.  I want to take pictures with other groups of tourists only problem is it’s winter in most places and it’s also the middle of the non-vacation season so I have been 95% alone and about 5% rejected.  I’m going to continue to work on that.  I really don’t know where these are going, they are facebook/myspace pictures for the most part.  But is that appropriate?

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Something Greg said about performance really got me on a roll thinking about performance and street photography.  While looking at my own photographs and those of much better street photographers (winogrand, epstein, mercure) I have come to think that when not dealing with pure aesthetics the nature of the “the moment” is hugely performative.  The context of which subject is performing and what performance is I think needs further analysis. Calculated actions simulating experience.  What/who is performing in the context of tourism is very ambiguous.  Baudrillard really hits on this thought with controlled environment i.e. nature trails parks, statues, museums, etc. creating certain responses.  What I feel that I am attracted to in my photographs are these points of simulation or performance.  I feel that Tammy Mercure’s work with tourist traps and tourists is a good reference point.  Or even Sage Sohiers “perfect-able worlds”.  What I am photographing are objects that are simulations and reactions / interactions that are created in these situations.

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So I’ll say it again thoughts?

Hello. I'm Mike.

So as my inaugural post on I figured that I would just jump head in to one of the few projects I have been working on and kinda kicking around recently.  As most of the people on this website know me and my work I figured all the introductory run around wasn’t particularly necessary.

(those who aren’t familiar can check out my nifty website with oversized jpgs (i need to fix that))

So I have been on the road since the summer at RIT.  I have been continuing my twice westward project which is a vague interpretation of my own status as a tourist.  That newer stuff will be seen eventually when I have a chance to look at it.

I understand that in any “art” the self (from a production standpoint) is deep inside the object, in the choice, influence, selection, narrative, etc, etc.  But that self is part of the macro vision of the photographer rather than the micro.  What I mean by that is that the westward stuff in the “self” pushed out on the world rather than the world pushed in on the self.  All of my travel and relatively self-indulgent concern with my own vision has had certain consequences on my personal life.

At 22 I have spent four years in a monogamous relationship, and in those four years I have spent over one of those traveling, being an absentee.  I started to miss the small routine we had built of getting dressed together in the morning.  There was a certain knowledge of a person (and an intimacy), so I asked her to send me a photograph of her every day.  Well of the underwear she was wearing, and I said I would do the same.  S had one idea about the photographs, and I seemed to have another.  Every time I stayed somewhere that wasn’t my car I photographed myself in my underpants.

I feel that this work is in compliment to the work from my twice westward project http://mikefuchs.net/index.php?/projects/twice-westward/  and I have been trying to figure out a way to integrate these images or at least this set of ideas into that work.  I have yet to find a successful means to do this.  From a conceptual standpoint they bring the actual circumstance of “me” into the situation much like how Friedlander and in some ways Shore did the same in their roa-dtrip work by photographing their circumstances.   The only strategies I can think of are in a purely display kind, wherein these images would be displayed with the twice westward work if it were seen in a space.  I feel that the idea fits but the images don’t integrate.  I guess the other question would be why do they have to?  Why can’t they exist along with the more traditional modernist street practice to show the dichotomy?  I don’t know if that can really be successful.

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As I continued traveling I decided to try and bring S into the situation.  Out of that came something.  I really don’t know where these photographs are going but I feel that these are becoming part of my understanding of how the micro and the macro of my situations fit together.  I don’t know if that makes sense or is a good thing.

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and lastly this is a new direction in this project which are videos of S and I enacting part of the ritual that these photographs embody, or maybe aspect is a better word.

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Completely difference trajectory I know.  But what do people think?

I do not know if this is the right venue for this comment, but I wanted to offer some thoughts on how I intend to use this site and the kind of thoughts I want from you other users.  As for my own sanity I will do so in a efficient and probably curt manner that those who know me are used to.

What I’m Interested in:

Your thought’s.

What you see in the work’s trajectory.

Ideas about how you think the work could be shaped and improved.

What I’m not interested in:

I’m not particularly interested in which photographs you “like”.  Like is a dismissive term.

I’m not interested in how I should crop or re-shoot.

Also I wills say that I am not going to be posting any “finished” work or projects here.  Only things in progress, that need help, that need you, my community of peers.

So give me some criticism.  Be as mean as you like.  You know I like it like that.