My first video project. Most def some flaws but overall went pretty good.
Where is everyone at?
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December 2009
You are browsing the Sunday and Wednesday archive for December 2009.
Video
Old Friends
I have been photographing my best friend Ross for a long time. Whenever I go home I photograph him in some way. I am trying to push. The next time I go home I would like to do some things a little different. Evolve and grow. More of the project is here.


Ten Years
I first picked up a disposable when I was 11 years old. I was a collector. Before I found photography I would pick up everything and put it in a box. I had countless plastic boxes with little dividers full of spiders, rocks, shells, fungus and numerous other objects. When I was given that first camera, I saw it as a way to easily collect all the things that I had before, except this time I could save all of the other things that were previously impossible to fit into a 1″ x 1″ compartment. I have been photographing things for over 10 years now. Over Thanksgiving I began sorting through the boxes of photographs to see what I had actually saved. Its kinda crazy, photography has been one of the most consistent things throughout my life. I updated my website with a selection of these images. I am still playing with some of the layout.
I don’t know that these are about anything in particular. I started photographing as a collector and I don’t think that the camera still functions in the same way for me. For the most part, the images that I selected represent a specific moment or place in my life, some significant and some not. In that way they are collected. Maybe its only when you have work that spans a long period of time that you can look at it in a more removed way. I do feel removed from these, but they still hold something for me. This is half my life. I grew up from when some of these first images were made until now, as cheesy as growing up is.





A Whole New Start
So I’ve been absent the past two weeks unfortunately. There’s been quite a bit going on. I’m finally moving. To Palisades Park, NJ. It’s a big change for me. I’m going to be looking for work in NYC. So in dealing with this move, I haven’t had much time to scan the 6 or 7 rolls of 120 which are laid out around my desk. This will change very soon once I move the rest of my stuff into my new apartment. In the meantime, I have some assisting coming up next week in Rhode Island and I have about 2 billions emails to send out in hopes of getting some work. I just have to keep myself calm and take things one step at a time..despite having 20 things that need to get going thrown in my face. Just gotta breathe.
I’m leaving a lot of things behind in Rhode Island. Because of a certain roommate, I can’t take my beloved cat with me to NJ unfortunately. I think that’s the single thing that bothers me most. I’m leaving behind a part of myself.
In the meantime, I have two images from Cape Cod, when me and Mike Fuchs took the trip up there for the day. I really want to get away from my square frame. I feel like my images will change drastically with another format. Maybe that will change soon too.


It’s fantastic to see how much everyone is updating and what everyone is up to. I owe quite a few of you comments that I keep meaning to sit down and write but keep getting side tracked. Keep up the great work everyone.
Arizona and aging
I have spent the last week in Phoenix, AZ photographing my paternal grandparents. I think that this will become part of a project I’m calling short thoughts. I have been making photographs in places that I have been traveling too that have little to nothing to do with the Twice Westward work. The longer I spend in a place the less about the surface or even the less about the place the photographs get. In the break between ending my road-trip and getting through the 50+ rolls of film I’ve shot.
As with allot of the parts of seeing my family along my route is to document their life as it pertains to me. With this I see my future and parts of my present. Being here has been nice and a bit strange, I need to spend more time with these photographs.

Poppy waiting at the optometrists office for some ointment.

Going to the clinic is quite convenient being that in the community doctors seem to locate them around patients who are concentrated so much around the elderly.
The ceiling fixture in their house was really ugly, it’s good that they replaced it. The company that replaced the fixture was mostly staffed by immigrants. Poppy being an immigrant loves to talk about how hard they work compared to my generation of kids of “entitlement” who will “never work a real day in our lives.” The immigrant experience is the cornerstone of his criticism of me.
Birdy and Poppy like to pool walk, it’s a social thing they say. They have a routine where they usually go in at a certain time and they befriend each other. When I arrived they wanted to pool walk and I got there rather late in the day so there was a completely different crowd and kids. They love to complain about how much they don’t like the noise kids make. It’s funny how not typically old they usually are then they drop something like that. Oh those damn noisy kids and their noise. I think it’s because they now surround themselves with other old people.
Poppy being from the Czechoslovokia ( when there was still such a thing) has a fondness for things that slightly remind him of Europe. He loves IKEA breakfast and IKEA in general. They needed a knife to cut meat. I recommended a flat blade rather than a curved one.
Poppy reads the newspaper. He actually reads six or seven in many languages. He reads most of them on the computer. It’s funny because Birdy really doesn’t read the paper anymore. But she watches the news and complains about the lack of news on there. Those can be fun arguments when we get into that.
Poppy driving his golf cart back from the dealership. He claims it makes a noise. I could not hear it.
Poppy and Birdy cover the plants when it freezes. That doesn’t happen often in Arizona. Birdy is the green thumb of the two but Poppy has the final say in the design of the garden. He’s stern like that.
Poppy likes to make work for himself. Closing the blinds at night is one of his self assigned jobs.
Poppy dealing with a man from the neighborhood assosciation.
Birdy looking at chotchsky’s in the backyard of an estate sale. Those are really creepy, the clothes left in the closet and stuff splayed all over the place. They have friends that have furnished their houses only from estate sales. Strange form of recycling. And frugality.
You want to go somewhere swingin on a friday night. Go to the elks lodge. That evening it was all retired/elderly folks. While I was taking this picture a woman came up to me and said we got to talking about what I was photographing. She started to complain about her grand kids not coming to visit. I told her she was to young to have such progeny and she responded “I’m not young. I am old! And I am having fun!”.
Rearranging the antiques after the installation of the new light fixture in the kitchen. Poppy likes everything just so so he took pictures of how things were arranged before the work was done. Poppy stood by yelling at grandma to make sure all the items were placed at pleasing angles. It was funny, they act just like the honeymooners yelling sarcastically with the immediacy of two people hard of hearing. 
Poppy learned spanish when he was stationed in south america during WWII. He was an engineer so he saw no active combat but made maps. He keeps up spanish through Destinos a kind of soap operah meant to teach spanish. I went through that in high school. It was fun.
Rabbit in the front lawn. Birdy didn’t believe me when I told her that it was there. During the winter they hide apparently because the birds of pray fly down from the mountains.
I keep having conversations about how americans feel so entitled and whatnot with Poppy. I say that the greatest sign of american decadence is the fact that people live in the desert. Where they should not be. I think one thing about his immigrant narrative is the duality that he likes what American Values are but wants to claim no part of it due to how he finds many of its side effects disagreeable. Instead of bucking up to the consequences of the lifestyle they’ve chosen.
Poppy love to use his go-kart, ez go I think it’s called. They go to all the activities in their kart.
We played mini-golf. I won. Birdy was close, Poppy made the maximum stroke amount except for three wholes where he achieved a whole in one.
Poppy and Birdy learned CPR. It was really odd to watch. The questions people asked were also super depressing.
thoughts?
11pm
I have to say, with only two weeks until Christmas break, I am not feeling too motivated as far as school is concerned. 200 pages to read for Monday and I still haven’t gotten my books.
I’m continuing to photograph Larson. After spending the last month looking over the book, I am slowly seeing things that are missing, things that I want to take out and rearrange. On Tuesday, Larson is coming over to record a track with my roommate for a music video I’m going to be making for him. I’ve spent the last few months intruding on his life and it feels surreal seeing him enter mine.


Mastication Nation
Do you masticate in public?
These are short clips from a video installation. I am doing this project because I am fascinated with documenting human behavior. Everyday we have to eat. I feel that with the pace and demands of life, no one can stop to think and understand exactly what they are doing. The necessity of eating and its embodiment of the contradictory roles of public and private life in America drew me to this project. I have never met anyone that refuses to eat in public. Are there any documented cases of chewing phobia? I find chewing to be an animalistic behavior that is indulgent and linked directly to the idea of instant gratification and consumerism. Food tastes pleasant to us and it provides us with calories essential to existence, yet when does this pleasure become offense or hard to watch? What about this behavior becomes a unique indicator of our culture and our sense of national identity? How would this activity be viewed differently in other parts of the world?
I hope to create an experience and an accompanying body of work that forces an audience re-examine their everyday behavior. I want to confront them with visuals, forcing them to respond through a number of emotions. Shock, confusion, humor, disgust, uncomfortable; I aim for this work to eventually frame mastication in an introspective representation. This understanding will be informed by the necessity of scale, rather than cultural expectations or normalcy. I picture this body of work existing in an interactive exhibition comprised of video, installations, and participation. Creating a body of work to exist in a space is a new way of working for me. I have a vision of walking into a gallery space and being overwhelmed by a pluralist representation of mastication and consumption, supplemented with a low humdrum of conversation and a sound installation. I want to confront people with the reality of their own behaviors, nothing idealized or opinionated, just the instinctual, factual, ephemeral truth.
Feeding in the context of public display fascinates me and I wish to explore the etiquette and taboos that inform its idiosyncratic and individual practices here in the United States. The processed nature of our food and how we choose to consume it, says a lot about our culture and our country. I feel the need to examine its means of production, and the infrastructure established to support our consumption (which I know to be an overwhelming huge topic). I am going to continue to make more mastication video portraits that include a greater diversity of age and ethnicity. If you are in Rochester, NY and want to chew a donut for me email aje9795@rit.edu.
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As I move foreword, I don’t want to focus on the mouth or the food in the mouth, but I would like to look at the effect or outcomes of mastication by creating visual of conceptual metaphors. I am going to made more complex videos because I haven’t done that in awhile, and I am excited to get back into the editing end of the video workflow. This project feels like a complete surrender to all my contemptuous and resentful notions of what fine art is or can be and its ability to communicate with an audience.
Even though I would like to subtlety relate our behavior to that of animals; I don’t want this connection to be too obvious. I have thought of feeding animals as well as feeding people. I think of the watering hole as a foundation of social interaction, informing our ideas pertaining to the significance of breaking bread. People eat because they’re hungry. Some hungry people get together for conversation, people talk and eat, how is it that this is comfortable?. The disposable nature and portion size of our food is also interesting, the paper cups, plates, and utensils made to be used and disposed. Many people in the world do not have a chance to eat, but here we are now on the world wide web; so alike, yet so different.
I also want to visually explore how the commerce and business of food has removed the consumer from the means of production. Everyone eats chicken, but who would actually take a hatchet to a live bird? (as it turns out my close friend slaughtered 200 chickens a week and a half ago, slit their throats) How does this removed relationship to our food influence our eating habits? How can I confront the viewer with this understanding? How can I appropriately frame this in a culturally relevant, absurd, and dynamic way?
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Word of the Week
The word of this week is jet lag. While I curse it for plaguing my sleeping habits, I have been in bed doing nothing but thinking. Amazingly I have made some valuable progress. I finally thought of a solid way to restructure my website. I also came up with some new project titles and some new places for images. Hopefully next week or the next couple, I will have a complete new website with a number of new projects and sections. Matt is helping (thankfully) on the technical side.
I dont want to spoil things early but I have been thinking a lot about California. This aspect of home and how it really becomes defined once we leave. When I am at not at school, I make work I enjoy the most. And much of this work is created at home. Here are some new images from the past couple weeks spent in the west.


Picturing Myself as a Tourist

So upon certain requests and thoughts about the last post I have tried to internalize the comments and try a couple of directions. Sadly no underpants, for a few reasons. First almost got arrested. Well that is mostly it. I do not want to get banned from places that I would like to go back to. So as a few of you know I have been on the road three months or so on my way back west. I have continued to shoot for twice westward but with film ( I have a trash bag full of it in my car) so there is nothing form that part. I have been making more self portraits as a tourist while making my more “critical” (?) photographs. I want to take pictures with other groups of tourists only problem is it’s winter in most places and it’s also the middle of the non-vacation season so I have been 95% alone and about 5% rejected. I’m going to continue to work on that. I really don’t know where these are going, they are facebook/myspace pictures for the most part. But is that appropriate?




Something Greg said about performance really got me on a roll thinking about performance and street photography. While looking at my own photographs and those of much better street photographers (winogrand, epstein, mercure) I have come to think that when not dealing with pure aesthetics the nature of the “the moment” is hugely performative. The context of which subject is performing and what performance is I think needs further analysis. Calculated actions simulating experience. What/who is performing in the context of tourism is very ambiguous. Baudrillard really hits on this thought with controlled environment i.e. nature trails parks, statues, museums, etc. creating certain responses. What I feel that I am attracted to in my photographs are these points of simulation or performance. I feel that Tammy Mercure’s work with tourist traps and tourists is a good reference point. Or even Sage Sohiers “perfect-able worlds”. What I am photographing are objects that are simulations and reactions / interactions that are created in these situations.







So I’ll say it again thoughts?